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It trained women “in how to be if we wanted to be wanted.”Hence “Labor of Love,” an exploration of that training, in which Weigel reaches two main conclusions.The first is that though dating is passed off as a leisure activity, it really is a lot of work, particularly for women.Lediglich der Nachdruck von Pressemitteilungen ist mit Quellenangabe gestattet.Bitte beachten Sie: Bilder, Grafiken, Text- oder sonstige Dateien können ganz oder teilweise dem Urheberrecht Dritter unterliegen. Soweit nicht anders vermerkt liegen die Bildrechte auf den zentralen Seiten bei der Universität Regensburg (Referat II/2 – Kommunikation; April Santiago Photography).Sollten Sie Interesse an einem Nutzungsrecht haben, wenden Sie sich bitte an: [email protected]

They’re a staple of Jane Austen novels: John Willoughby, who caddishly breaks Marianne’s heart in “Sense and Sensibility”; George Wickham, who reels in both Lizzy and Lydia Bennett in “Pride and Prejudice”; Frank Churchill, in “Emma,” who flirts with Miss Woodhouse while being secretly engaged to her frenemy, Jane Fairfax. As a twenty-first-century guy living in one of the most culturally liberal of American cities, he had options available to him that men in Regency England did not.John was a champion girlfriend accumulator, the ringmaster of a romantic circus that only he could see.Every so often, one of his paramours would catch on and alert the others.Her Irish Catholic mother and the self-help industry told her that the goal should be marriage, and soon. He thought that everyone should want to pursue happiness.Weigel had a revelation: she was always turning to a man to tell her what she was after, and the institution of dating was to blame.

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